Friday, 14 May 2010
'drawing on the rhythms of daily life to produce sound in unexpected ways' exhibition at the curve in the barbican. a flock of zebra finches perch on electric guitars laid flat and aloft and the artist idea is that through playing their landings and movements then one can record their routines. i like the idea of finding new ways in which to measure reality.
Tuesday, 4 May 2010
Friday, 26 March 2010

went to the crash exhibition at gagosian. works inspired by the novels of jg ballard. the works generally represent destruction, sex and violence exhibiting the extremes of human nature and commodity of western culture. as well as the works being very provocative pieces i found the exhibition to be insightful into the extremes of existence. not necessarily a new idea, crash is a reflection of these ideas. I particulaly enjoyed a piece where there were lots of contact lenses lying on the floor next to one wall of the gallery. the viewer may or may not be aware of them or even able to see them so is likely to stand on them. so as the exhibition goes on more of the contact lenses are stood on. i understand this to be the destruction of focus over time. i enjoy the idea that the older something becomes, maybe there is more understanding of something but less focus on the reality. like the way society gradually dictates our thoughts and actions and we become less focused. http://www.gagosian.com/exhibitions/2010-02-11_crash/#
Friday, 19 February 2010
Saturday, 13 February 2010
Sunday, 7 February 2010
Focus Week was spent in the French Alps skiing. The top image is taken from inside a lift over the valley between les Arcs and la Plagne. The next image down is taken sandwiched in between two layers of cloud.
Wednesday, 3 February 2010
Thursday, 21 January 2010
video i made showing a small section of a foldable pathway. i made it with found ex-fencing material from finsbury park. Each post is attached horizontally to the next by a hinge so that they can be folded, moved and managed reletivly easily. They are laid on the ground responsive to the desire lines that form over time from pedestrian movement. They provide routes through the open space. The challenge in the design is to create pathways that are not subject to theft or vandalism. A romantic view is that the community users will adopt the site and feel ownership of it so as not to steal or negativly damage the site objects. There is a pattern to the hinges. 3 on the bottom in between posts and then 1 on top. It means that the posts can be stacked by 2 at a time. The hinges for the model were bought from my local hardware shop. The intension of the actual detail is for the hinges to be made from melted down steel and cast iron fencing that exists on site.
Tuesday, 12 January 2010
Wednesday, 30 December 2009
Sunday, 27 December 2009
Saturday, 26 December 2009
Friday, 18 December 2009
Thursday, 10 December 2009
Tuesday, 10 November 2009
Wednesday, 4 November 2009
FADA launches annual Sustainable Design Solutions workshop. We disscussed sustanability issues in Kingston in particular the ravens ait island on the thames. the island has been common land since 14th century and since it was recently abbandoned a group of squatters lived on it and proposed serious ideas to Kingston council about making the island a eco conference centre with ecological and sustainable method learning oppotunities for Kingston. the council refused and the squatters were physically forced off the island. In are workshop we were reflecting on thier proposal. we agreed that the ideas expressed in the proposal are good and definatly positive for the surrounding communities. we thought the promlem with the proposal was down to pakaging and stereotype issues. like the council see dreads, baggy trousers and even the word squatter and instanly refuse. this is the nature of society. we proposed that the project needs a champion to gain some respect. an important figure like david attenborough or prince charles.
Monday, 2 November 2009
Saturday, 17 October 2009
Author
Debord, Guy, 1931-
Title
The society of the spectacle / Guy Debord ; translated by Donald Nicholson-Smith.
Uniform Title
La société du spectacle. English
Publisher
New York : Zone Books, 1994.
Bib Id
245734
ISBN
0942299809
Physical details
154p ; 23 cm.
Notes
Originally published as: La société du spectacle. Paris : Buchet-Chastel, 1967.
Language Note
Translation of: La société du spectacle.
reminder for me to get this book out on monday
Debord, Guy, 1931-
Title
The society of the spectacle / Guy Debord ; translated by Donald Nicholson-Smith.
Uniform Title
La société du spectacle. English
Publisher
New York : Zone Books, 1994.
Bib Id
245734
ISBN
0942299809
Physical details
154p ; 23 cm.
Notes
Originally published as: La société du spectacle. Paris : Buchet-Chastel, 1967.
Language Note
Translation of: La société du spectacle.
reminder for me to get this book out on monday
went to tate britain for the richard long exhibiton. his deep conections with the landscape and unconventional walks through it are based on shapes and time and numbers and mapping sounds, experiences, music. the above image is a circle of norfolk flint. exhibition instalation is not the best representation of his work because his ideals are about his experience of the external natural environment. but as a norfolk boy it was nice to see a material from my home within a london gallery.
i think i have a clearer understanding of what i will write about for my disertation. Having orignally thought about maps i became aware that it is important to write about my own design philosophy. this has evolved through my interest of emotional maps and then discovering the situationist. WOW.. they are a group of international revolutionaries founded in 1957. "ideas rooted in Marxism and the 20th century European artistic avant-gardes, they advocated experiences of life being alternative to those admitted by the capitalist order, for the fulfillment of human primitive desires and the pursuing of a superior passional quality." as i understand situationism is about employing change in society by making new and different social situations to evoke and inspire and change lifes normality. they also used alot of emotional mapping techniques that expresses these ideas of spontaneous urban recreation. i realised that alot of my previous work draws paralels with these ideals. i.e community driven, evolving spaces, that dont have an ending.
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